2 September 2002 | Vol. 2, No. 3
Amman, 1997
The blood stain on the chair
in our bedroom at the four-star hotel
does not bother me.
I am too busy leaning out the window,
pressing into the heavy air, thick
with noise, where violent smells of spices
loosely hang
and moths dance drunk off the heat.
A woman sits on the ground smoothing
dough with her hands. Camels sleep
through the war waged by fat insects,
fighting to land on those lolling heads.
A boy stands guard outside the public bathroom
demanding 'One dinar!' from tourists,
digging pocket-deep for coins. Men stroll
down the streets like sepia kings,
leaving dark murmurs behind them.
At daylight women joined them
but none do now that darkness has released
with wild new life.
I recognize this music. It also plays in Israel,
in cabs, on sidewalks, in Arab tongue—
it has been inside me for years.
About the author:
Originally from Boston, Maya Pindyck has studied studio art and creative writing at Connecticut College, Columbia University in New York, at two different institutions in Italy, and one in Poland. She has won the Benjamin T. Marshall Prize for Poetry. Her artwork has been displayed in multiple galleries in Connecticut and New York City, including the Crane Street Studio Building and the Scott Pfaffman gallery.
For further reading:
See the complete list of work by Maya Pindyck at 42opus. Browse the contents of 42opus Vol. 2, No. 3, where "Amman, 1997" ran on September 2, 2002. List other work with these same labels: poetry, editors' select.



