2 September 2002 | Vol. 2, No. 3

Amman, 1997

The blood stain on the chair

in our bedroom at the four-star hotel

does not bother me.


I am too busy leaning out the window,

pressing into the heavy air, thick

with noise, where violent smells of spices

loosely hang


and moths dance drunk off the heat.


A woman sits on the ground smoothing

dough with her hands. Camels sleep


through the war waged by fat insects,

fighting to land on those lolling heads.


A boy stands guard outside the public bathroom

demanding 'One dinar!' from tourists,

digging pocket-deep for coins. Men stroll


down the streets like sepia kings,

leaving dark murmurs behind them.


At daylight women joined them

but none do now that darkness has released

with wild new life.


I recognize this music. It also plays in Israel,

in cabs, on sidewalks, in Arab tongue—

it has been inside me for years.

About the author:

Originally from Boston, Maya Pindyck has studied studio art and creative writing at Connecticut College, Columbia University in New York, at two different institutions in Italy, and one in Poland. She has won the Benjamin T. Marshall Prize for Poetry. Her artwork has been displayed in multiple galleries in Connecticut and New York City, including the Crane Street Studio Building and the Scott Pfaffman gallery.

For further reading:

See the complete list of work by Maya Pindyck at 42opus. Browse the contents of 42opus Vol. 2, No. 3, where "Amman, 1997" ran on September 2, 2002. List other work with these same labels: poetry, editors' select.

42opus is an online magazine of the literary arts.

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