42opus

is an online magazine of the literary arts.

2 December 2004 | Vol. 4, No. 4

Wildfire Triptych

Fire burns; that is the first law.
– William Carlos Williams

I. What the Smoke Brings


For two full days the sirens

realized their high notes

in the quivering saucers

stacked inside cupboards,

and an exodus of field deer

cropped the blooming gladioli

down to a stubble. The wind

grew jaundiced, carried with it

a small sacrament of wood ash

to the soured root of my tongue,

left me raw-throated and quiet

in the plush backseat of the car.

It was a sad evening all day

and the deer, like refugees,

plodded the centers of streets.

I spelled with my finger

the words: wash me in soot

gathered on the hood

of my father's Coupe DeVille,

as I watched a six-point buck

spill a small cache of shit

like polished beads, unstrung

and falling through the yellow air

of the Sears parking lot.



II. Roof Dancer


If the winds swung east

my father would climb

the wooden ladder,


a pail of water weeping

from one hand, and wait

for the first stars to fall.


He'd stamp and douse

the cinders where they'd land

all night. This secret dancing


made weather inside our rooms:

thunder through the bones

of the house, a flurry of snow


descending from the rafters.



III. Five Variations on Sleep


1.

To sleep that night was to travel

a great distance by train,

to drag from iron wheels

the crushed chassis of a Ford

a mile down the tracks, that,

and a clean rooster tail of sparks

to set the cattails blazing.


2.

To sleep that night was to sing

trainsong falsetto: the lucid song

of metal gouging metal,

to hear the storm windows rattle

like teeth in the skull, to know

fire and the dark brother of fire

careening unhinged.


3.

To sleep that night was to work

worm gears and pistons swing shift

through the night, to watch flame

carve, like a greased machine,

the hillside, to wheeze and shimmy

oiled phone poles and cleave

the roofline like a dawn sun

stalled and dilating in a field.


4.

To sleep that night was to detonate

floorboards in dream, to stoke

the locomotive's blast furnace:

fire belly barreling through the interior,

the dried creek beds, the bleached crackle

of scrub grass sprouting into flame.


5.

To sleep that night was to arrive

a refugee in a foreign station,

to avert your eyes and vanish

into the unmapped countryside,

the still smoldering landscape.

About the author:

Sean Nevin has new poems in The Gettysburg Review, Runes: A Review of Poetry, 5AM, and Blackbird. He teaches creative writing at Arizona State University West and is assistant director of ASU's Young Writer's Program.

Source:

http://42opus.com/v4n4/wildfiretriptych

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