21 March 2005 | Vol. 5, No. 1
What Zen Do with Whips, I Do with Willow
E. Unim didn't last long at the Met.
The chief folly being her melange piece, The Staccatoed Invertebrate—
A plastic locomotive duct-taped to a wheelchair.
—
For the accelerated displacement of Artifact & Toy…
For the replication of river-way as 'medius idealis…'
For the human et cetera of Makeshift & Scurry…
I blame the Locomotive and thus your trolley.
So said the Curator to E.
—
My teacher, a paperback half-devoured by mushrooms,
suggests a supine outlook beneath willows
to clarify like pond-ice
the errant foliates of the mind.
—
And willow was where I met her,
digging a hole beneath the moon with a spoon.
We lowered the steel cripple, melange intact, into the chocolate earth
and said a prayer at volume tiny country.
—
Why E. chose willow was primarily her hair.
Perfect braids, perfect moon.
About the author:
Paul McCormick's work appears or is forthcoming in The Iowa Review, Verse, Fence, Conduit, Barrow Street, Octopus and other journals. He lives in Huntington Station, NY.
For further reading:
See the complete list of work by Paul McCormick at 42opus. Browse the contents of 42opus Vol. 5, No. 1, where "What Zen Do with Whips, I Do with Willow" ran on March 21, 2005. List other work with these same labels: poetry.



