short story: results 1–24 of 68

We were driving along the road from Treguier to Kervanda. We passed at a smart trot between the hedges topping an earth wall on each side of the road; then at the foot of the steep ascent before Ploumar the horse dropped into a walk, and the driver jumped down heavily from the box. He flicked his whip and climbed the incline, stepping clumsily uphill by the side of the carriage, one hand on the footboard, his eyes on the ground. After a while he lifted his head, pointed up the road with the end of the whip, and said—

"The idiot!"

Pointer lay on the couch, fifty-eight pounds of eleven-year-old black lab mix with curly hair. She lay with her chin between her paws just like when she was sleeping, but I knew right away she wasn't sleeping.

"Hey, Pointer, kiddo," I said anyway. "Too hot to get up this morning?"

Pointer weighed seventy pounds just a couple of months earlier, but pancreatic cancer pared her down pretty fast. I hadn't really thought she'd be gone this soon, though. I picked her up off the couch and she didn't feel like Pointer, just like a big heavy sack of cooked oatmeal. I laid her down on the rag rug next to the coffee table.

This story takes place years ago when every person was born with geographical destiny printed onto their skin—usually the bottom of the foot, sometimes a thigh or the back of the calf. If the words weren't clear—too faint, improperly formed, or with crucial letters missing—a family waited with great eagerness, checking the bottom of the foot (or the thigh or the back of the calf) every day to see what had emerged, the way one might peer into the murky bloom of a Polaroid. And although some believed a newborn's geographical destiny shouldn't matter, since it might be years before the child went off to meet it, in fact, to many people it did matter; so that parents whose geographical destiny was, for instance, Kansas City found it difficult to love without reproach a child born with the word Albuquerque across its knee.

When you go off to Albuquerque, they'd say, then you can have a skateboard. Or, Your father and I want a house, but we've got to save our money for phone bills and airfares. Oh, what do you care, soon you'll be running off to Albuquerque.

Jo wants to find her mother, and there are very few clues. She placed the daily ad in the Post knowing full-well that this woman could have moved; her own mother could have died without her knowledge. She thought, only, I've got to try. On her way out of the apartment, the orphaned adult looks over her shoulder. She knows the studio is just six hundred square feet of dry, warping wood floors and chipping plaster. It's not a home; she would never bring the dancer to her home. It's simply an art studio, and there's a bed because often art calls in the middle of the night like a newborn, or a call-girl. Jo is content scrubbing these floors and bleaching her kitchen when a painting or woman calls. When the buckets are empty, or her sheets are cool, Jo feels as though the damp space is adequate for a woman finding herself.

There was once upon a time a poor mason, or brick-layer, in Granada, who kept all the saints' days and holidays, and yet, with all his devotion, he grew poorer and poorer, and could scarcely earn bread for his numerous family. One night he was roused from his first sleep by a knocking at his door. He opened it, and beheld before him a tall, meagre, cadaverous-looking person.

'Hark ye, honest friend!' said the stranger; 'I have observed that you are a good Christian, and one to be trusted; will you undertake a job this very night?'

He flicks on the light in the bedroom and squints against its glare. His eyes are going too, have been for some time now. But he knows—he can remember this much—where the lighter might be and he goes to the bedside table and grabs it, knocking the ashtray aside and spilling ash and stained butts that roll onto the floor. Severo starts to bend over to pick them up but instead he turns around and, walking out of the room, cu