11 August 2008 | Vol. 8, No. 2

The Dog of Eight Breaths


*

Between: as in lines, phrases, measures, sobs, errands, degrees, lovers, teeth, walls, ribs




*

Relief valve. Wailed heavy on his father's chest.




*

A sighway. Hello, epiglottis;

goodbye, heart. Blue dumpster.

Cheek cellar. Molar spit-suck.


      Don't move your lungs, just breathe with your mouth.

      Okay, now just your lungs, no mouth.


      I'm just asking.




*

Sign with your

lips full

of blood and cracked

hugging incisors

like a boxer.




*

After words retreat

To the breast

Milk and funnyache


Father, father

Pumped my mother

Face to face

And shaped my brother




*

face to the air

to the skyline: empty, full,

to the ex-haled wares,

elm, tower, leaf-left, bare,

wearing mother's labor,

a neighbor from every floor




*

What sigh are you

keeping, well?

What reserve in store,

what cloud before you

reap? From the leavings

of whose field harvest

wind to speak?




*

The more empty the more full, these silos, near my heart, left me by inheritance.



That is, someone breathed her last.



Expands in me the horizon.



The senses are mindful, of mind. But not the breath.



Old Job, in his home, fat of breast.



The mothers, his mother, fat of breast.



And fat of exhale.

About the author:

Mark Bilbrey teaches creative writing and composition at the University of Georgia, where he's a doctoral candidate in the English department. His studies focus on early American literature, modern American poetry, and a concept he calls "the poetics of prayer." He earned an MFA from the University of Iowa's Writers' Workshop and a BA from the University of Tennessee-Chattanooga.

For further reading:

See the complete list of work by Mark Bilbrey at 42opus. Browse the contents of 42opus Vol. 8, No. 2, where "The Dog of Eight Breaths" ran on August 11, 2008. List other work with these same labels: poetry.

42opus is an online magazine of the literary arts.

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