28 December 2007 | Vol. 7, No. 4
Appendix: the Blind ( Specimen )
There is
rain
from
light .
—
There is
the lumberman
and
the Elm
stack'd
distant
through the
Night
.
—
The city's
sky,
Like peasants'
muddy
ribs
,
reveals
the
knife's
clavicle
the floor
hollowed-out
for cholera
—
give these blossoms
one season
of |
bloodroot, |
of fear, of
the heart's
cloth .
—
light
whores
the slaughterhouse
for
dusk ,
and
the night
thinks rain
is
disembodied
silence of the
leaves
The creek
sockets
these Days to the
black-birds and little strange and beautiful over |
cedars, all the |
morning
.
—
here
in
the
early
blundering
world,
winter
has
magnolias
and
nothing else
Notes on this piece:
This piece is appendices/erasures/ruins/white-outs/bones of a poem of mine, 'Meditations in the Garden of the Blind (with Whitman's Specimen Days),' previously published in 42opus. Some may call it editing, others just a gimmicky way to get two poems out of one. However, this method has been popular since the 1920s-era Surrealists, perhaps even earlier. For the most part, the goal of my project is to find the ghost underneath the ghost.
About the author:
Joshua Poteat's first manuscript Ornithologies won the 2004 Anhinga Poetry Prize (published in 2006) and his chapbook Meditations won the Poetry Society of America's 2004 National Chapbook Award. His second manuscript, Illustrating the Machine that Makes the World: From J.G. Heck's 1851 Pictorial Archive of Nature and Science, was accepted as a part of the newly revamped Contemporary Poets Series from the University of Georgia Press/Virginia Quarterly Review (publication date TBA). Poems from the second manuscript have won the Ruth Stone Poetry Prize from Hunger Mountain, and have been recently published in Virginia Quarterly Review, Indiana Review, Ninth Letter, American Letters & Commentary, Quarterly West, Bat City Review, Typo, Copper Nickel, Backwards City Review, Handsome, and others.'; if (strpos($_SERVER['REQUEST_URI'],'galleys')) {?>
Author's note: "Appendix: in Snow" and "Appendix: the Blind ( Specimen )" are appendices/erasures/ruins/white-outs/bones of my poems, "Meditations in Desert Snow" and "Meditations in the Garden of the Blind (with Whitman's Specimen Days)," previously published in 42opus. Some may call it editing, others just a gimmicky way to get two poems out of one. However, this method has been popular since the 1920s-era Surrealists, perhaps even earlier. For the most part, the goal of my project is to find the ghost underneath the ghost.
For further reading:
See the complete list of work by Joshua Poteat at 42opus. Browse the contents of 42opus Vol. 7, No. 4, where "Appendix: the Blind ( Specimen )" ran on December 28, 2007. List other work with these same labels: poetry.