19 December 2007 | Vol. 7, No. 4
Arboreal
The trees planted in
the median
follow me. They
could be a kind of peppertree
given the narrow,
delicate leaves, like
children's fingers, the milky-white
sap, and berries
with a spicy, resinous smell.
I try not to look at them,
but there they are,
flaming red and asking
for my attention. The mind's
luminosity
adheres to such things
and makes the world leap
into being.
Without the world, consciousness
shines in the dark cave of
your skull
and can implode or enlighten
depending upon your ease
with such light.
But the alternative—perception,
parsing things up, then labels,
and finally, the schematic
diagrams of the brain—
so often seems an ego trick
to make the little you
feel essential, or
like a new car is what you need.
Or an education.
A friend is reading Ricoeur in translation.
(Ricoeur's words denser than daylight
is long, so he could
still be reading, though I suspect
you understand "is reading"
as "read."
Don't you know we grow old
through such narrative strategies?
Couldn't it all
be present progressive?)
I'm dubious about anything
in translation,
especially French
literary theory, and wonder
about the hours
he spends grinding his mind,
delicate blossom, through such
machinations.
Such precious time could be
better spent in the parking lot
contemplating
the essential red
of the trees,
manifest without
translation.
About the author:
Timothy Bradford's poetry has recently appeared in CrossConnect, Redactions, Runes, and Softblow. He is the author of the introduction to Sadhus (Cuerpos Pintados, 2003), a photography book on the ascetics of South Asia, and in 2005, he received the Koret Foundation’s Young Writer on Jewish Themes Award for his novel-in-progress, based on the history of the Vélodrome d'Hiver in Paris.
For further reading:
Browse the contents of 42opus Vol. 7, No. 4, where "Arboreal" ran on December 19, 2007. List other work with these same labels: poetry.