19 December 2007 | Vol. 7, No. 4

Arboreal

The trees planted in

the median

follow me. They


could be a kind of peppertree

given the narrow,

delicate leaves, like


children's fingers, the milky-white

sap, and berries

with a spicy, resinous smell.


I try not to look at them,

but there they are,

flaming red and asking


for my attention. The mind's

luminosity

adheres to such things


and makes the world leap

into being.

Without the world, consciousness


shines in the dark cave of

your skull

and can implode or enlighten


depending upon your ease

with such light.

But the alternative—perception,


parsing things up, then labels,

and finally, the schematic

diagrams of the brain—


so often seems an ego trick

to make the little you

feel essential, or


like a new car is what you need.

Or an education.

A friend is reading Ricoeur in translation.


(Ricoeur's words denser than daylight

is long, so he could

still be reading, though I suspect


you understand "is reading"

as "read."

Don't you know we grow old


through such narrative strategies?

Couldn't it all

be present progressive?)


I'm dubious about anything

in translation,

especially French


literary theory, and wonder

about the hours

he spends grinding his mind,


delicate blossom, through such

machinations.

Such precious time could be


better spent in the parking lot

contemplating

the essential red


of the trees,

manifest without

translation.

About the author:

Timothy Bradford's poetry has recently appeared in CrossConnect, Redactions, Runes, and Softblow. He is the author of the introduction to Sadhus (Cuerpos Pintados, 2003), a photography book on the ascetics of South Asia, and in 2005, he received the Koret Foundation’s Young Writer on Jewish Themes Award for his novel-in-progress, based on the history of the Vélodrome d'Hiver in Paris.

For further reading:

Browse the contents of 42opus Vol. 7, No. 4, where "Arboreal" ran on December 19, 2007. List other work with these same labels: poetry.

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